press: new york magazine

December 15, 2009

This appeared on New York Magazine's site after the Times' piece on the lakehouse.

The Story of a Gay Breakup, Told by Art and Real Estate
7/23/09

The wonderful thing about the New York Times "Home" section is that many of the pieces in it are not so much about the real estate, gardens, or interior decorations that appear in the pictures, but actually about the kooky characters that inhabit them. (Also, it has the fruitiest sensibility of any of the sections, including "Sunday Styles.") Today we get an example of one of these stories, with the tale of young Bradford Shelhammer and Ben Dixon, a pair of cute gays with impeccable taste who own an apartment and a lake house together that are filled with lovely furniture and artwork. The problem is, the couple — who had even set a date for their wedding — broke up and don't want to sell, so they are left in a limbo of primary-colored pants and chairs from the Dutch design collective Droog.

There are a lot of sad things about this, many involving real estate taxes, but they are most encapsulated by the following anecdote, which is told by Shelhammer in an audio slideshow accompanying the piece (another priceless aspect of the "Home" section). In it, he discusses a pair of silhouette paintings, pictured above, that he created of the couple:

When they were in our city apartment, they were facing each other, and it was quite adorable — we were staring at each other. And it wasn’t until we went to the house for Ben's birthday — which was the day we were to be married — that my friend Sandra remarked to me: 'The portraits of the two of you are facing opposite directions!' And they had been hung that way last year, and I don't know symbolically what that means, but it shook me.

See, last weekend, it was Dixon's birthday. It was also, as Shelhammer noted, the weekend they'd planned their wedding. (You used to be able to follow the progress of their engagement on the website "IHeartBenford.com" but that's long defunct.) Since some people had already bought tickets, Dixon held a big party at the lake house, and Shelhammer even came along to help host. The Times went along for the ride, to capture the awkwardness.

Part of the reason why they broke up, Dixon told the paper, was because Shelhammer would always blog about everything. "For me," he said, a vacation or a party was "real just for the two of us. It seemed like Bradford often needed to put it online for it to be real." Proving his point, a little, Shelhammer took to his blog today to review the Times piece, and to do some feeling:

And while some will see this story as sad, and yes, it can be very sad, still, it is indeed the opposite. It is a story about a shared love, of each other and of design. It is a story of how things change and how friendship remains. And it is a story of how life is rarely perfect. Not perfect, but beautiful and evolving,[sic]

Two hours north of New York City, right off the Taconic at mile marker 67, sits a little piece of my heart. It lives in a colorfully kitsch playhouse and it will always be where I've felt the most home. My mother always said I had an explorer's heart and I pick up and live wherever the wind, and my desire, take me. I've never really had a home. Not growing up. Not in my twenties. But there among those trees and on that lake remains my home. Hopefully, sometime sooner than later, Ben and his friends and me an my friends and his boyfriend and my boyfriend can all come together for a weekend there. Laugh all you want. I know we'll get there.

We'll farmstand hop and make elaborate meals and drink good wine and play Wii Fit and watch Hitchcock and Auntie Mame. I have hope of getting there. And so does he. In good time.


Shelhammer wrote that the Times approached the couple to do the story, not vice versa. We'll never really understand why people agree to open themselves up to this kind of coverage, really. But then again, we also don't understand how to own a home and fill it with tastefully chosen, distinctive furniture and artwork. Perhaps the two are related?

After the Breakup, What About the Lake House? [NYT]
on changing directions, finding home, and the gray lady [BradfordShelhammer]

By: Chris Rovzar

press: new york times

The Times featured the house I decorated with Ben Dixon and our break-up too.

Link here.
Slideshow here.

July 23, 2009
Living Together
After the Breakup, What About the Lake House?
By JULIE SCELFO
STANFORDVILLE, N.Y.

IT was a perfect party — vodka lemonade on a dock overlooking a lake, dozens of close friends, a cool misty night in the country a couple of hours north of New York.

Inside, the house spoke of a passionate interest in style, and of a committed relationship. Silhouettes of the couple who owned the house hung on a wall in the master bedroom; the couple’s nickname — Benford — was spelled out in large letters leaning against a wall in the kitchen.

But the couple, Benjamin Dixon, 31, and Bradford Shellhammer, 33, who had planned the evening as a commitment ceremony, had broken up three months earlier. Still, with airplane tickets purchased by some of the guests, a catering deposit paid and a house they haven’t been able to sell, they figured it made sense to go ahead and have a party anyway.

Their tale of lost love has a familiar arc — love sparks, then blooms; lives intertwine; moments are lost and misunderstandings creep in; eventually the two begin to live as strangers — and an epilogue that has become increasingly familiar as well, as unwanted houses become prisons rather than cocoons.

Rather than being a glossy testament to their taste and their partnership, their house in Stanfordville, in Dutchess County, is now a dead weight that entangles them and makes it impossible to move on. Having bought it and an apartment in Manhattan at the height of the real estate boom (and having made an agreement with a third partner in their lake house property not to sell it until December 2009), they are left with joint custody of two large mortgages. They are also left with two carefully decorated homes filled with one-of-a-kind accessories found on eBay and quirky furnishings by high-end designers like the Dutch collective Droog that are reminders of what came before and, Mr. Dixon said, “big reminders of what was supposed to be.”

Their story began in 2004 in San Francisco, where Mr. Shellhammer, who is now the manager of the Blu Dot store in SoHo and an interior designer, worked as an admissions counselor at the Fashion Institute of Design and Merchandising, and wrote a blog about his adventures in the gay fashion and nightlife scenes.

Mr. Dixon, who is now an executive at the Australian investment bank Macquarie Group, then led a quieter existence: at 26, he was already the controller at Design Within Reach, working toward an M.B.A. at University of California, Berkeley.

They met online, then had a casual Sunday night dinner at Mr. Dixon’s apartment in the Cathedral Hill neighborhood of San Francisco. Mr. Shellhammer returned a week later for a second date and essentially never left. “We spent every night together from that moment on,” he said.

In May 2005, after Mr. Dixon’s graduation, they loaded a U-Haul with furniture and clothing — lots and lots of clothing — and set out for New York.

Like countless couples before them, they rented an apartment — a two-bedroom, two-bath near Wall Street — and began building a life together, Mr. Shellhammer undertaking a degree in fashion design at Parsons and Mr. Dixon finding work at a private equity firm.

At dinner with friends of Mr. Dixon’s from Design Within Reach, Mr. Shellhammer met Sandra Hansel, then DWR’s director of sales for New York, who offered him a job. Ms. Hansel said she found him “extremely charismatic, almost Pied Piper-like,” with a “vast amount of knowledge about design and pop culture and arts and fashion.”

“I found myself wondering why he didn’t work for us,” she said.

Mr. Shellhammer accepted a part-time position and soon became so passionate about interior design that he reduced the hours he spent studying fashion. “I fell in love with furniture,” he said.

A year after arriving in New York, they bought a place in the old Manhattan General Hospital building on Stuyvesant Square for $930,000, and set to work making it their own, choosing furniture and installing vast His and His closets. A few months later, they found themselves looking at weekend homes with a friend who is a real estate agent. (He asked not to be named in this article because he doesn’t want to get further involved in their breakup.)

They fell in love with a five-acre lot with two homes on a small lake in Stanfordville. “We got to this place, and it was raining and it was miserable and it was hideously decorated,” Mr. Shellhammer recalled. “But we all three kind of felt something.” The property cost $390,000. The three bought it together, with Messrs. Shellhammer and Dixon taking the larger house, and the friend the small one.

Renovating the bigger house took about $200,000 and occupied every weekend for a more than a year. “It was exciting,” Mr. Dixon said. “The house had been very dated and very dark.” When they were done, they had created a bright, open space with views of the lake from nearly every room.

With the house complete and their careers progressing — Mr. Dixon moved to Macquarie Group at the end of 2007; in 2008, Mr. Shellhammer became the sales manager for DWR’s new Tools for Living store — the couple began thinking about what came next. To Mr. Shellhammer, marriage seemed like a natural step.

While Mr. Dixon resisted, Mr. Shellhammer said: “I pushed it. I wanted pictures. I wanted the fuss. I wanted all the people we ever loved to share the love we felt on a daily basis.” Mr. Dixon gave in, and “save the date” cards were sent.

But while they had poured heart and soul into their homes, they hadn’t tended to each other with the same care. Small differences were pushing them apart.

Mr. Dixon felt increasingly alienated by his partner’s need to post the details of their lives online. “For me,” he said, a vacation or a party was “real just for the two of us. It seemed like Bradford often needed to put it online for it to be real.”

Mr. Shellhammer, who said his blog, bradfordshellhammer.com, has about 5,600 regular readers, said writing about his experiences is a central part of his life. “It’s helped me get through hard times, brought me to some amazing people, and it’s not something I’m going to abandon,” he said.

The further they got into planning the big day, the more the significance of a lifetime commitment set in, and both began to have doubts.

“We had become pretty mean to each other,” Mr. Dixon said. “We hadn’t put our finger on what was wrong — we just knew it wasn’t right.”

One night in March when Mr. Dixon was working late, Mr. Shellhammer phoned him at the office and asked him to come home. “We had a calm discussion that evening,” Mr. Dixon said, resulting in a decision to call off the ceremony and part ways.

Mr. Shellhammer, who earns less than Mr. Dixon, volunteered to move out of the condo. Mr. Dixon agreed to pay market rent, about $4,000 a month, to stay there, which they then applied toward the monthly condo cost of $5,500, and to cover two-thirds of the remaining $1,500. They also agreed to divide the remaining bills — about $2,400 a month for the lake house and $450 a month for car-related fees — using the same two-thirds, one-third formula. (“It was in proportion to our income,” Mr. Shellhammer said. “It’s always been that way.”) Each month, Mr. Shellhammer puts $1,600 into an account for joint expenses, and separately pays $1,750 rent for his new apartment, a 400-square-foot walkup in the West Village he moved into in April.

Then they had to figure out timing on the lake house. “We looked at the year ahead and chose weekends,” Mr. Dixon said.

For Mr. Shellhammer, who left DWR in January to manage the Blu Dot showroom in SoHo, there have been lots of changes — starting with his new home. “Sometimes it’s charming, but other times I’m like, ‘I want my old kitchen back! I want my old floors back!’ ” he said.

“We bought so many things — art, furniture, bags — we consumed so much,” he said. “Now that I’m in a small apartment but still responsible for mortgages on two houses, I’m having to think about how I’m spending my money.”

But living with less, he added, is “kind of empowering. I’m at a place now where I don’t really need this stuff.”

His personal growth was tested the night of their wedding-turned-birthday party for Mr. Dixon.

Just as the day was starting to cool, friends and family gathered, protected from the light rain by the thick foliage of a maple tree. To some, it felt awkward.

“I was a little surprised Bradford was here,” said Arwen Schreiber, a friend of Mr. Dixon’s who had flown in from Northern California. Knowing what was supposed to have taken place that day, she said, she felt concerned for both men.

Mr. Shellhammer insisted he had no regrets about his choices. “I’m a true romantic,” he said. “I believe in finding the love of my life and spending the rest of my life with him.”

Still, some changes are hard to accept. Although they had agreed that the house was Mr. Dixon’s for the weekend, Mr. Shellhammer assumed he would be welcome to stay overnight.

But when he asked beforehand which room he would have, “I told him they were full,” said Mr. Dixon, who had invited a date to the party.

Mr. Shellhammer returned to the city that night.

press: meatpacking local

October 27, 2008

The New York City Wine & Food Festival put out a magazine to go along with the event. The producers asked me to critique the designs of many a Meatpacking restaurant for an article on restaurant design and architecture. You can check it out here, here, and here.


interiors: jongerius chair

August 7, 2008

When the folks at Maharam did an event with me at the showroom this year I fell in love with a fabric panel designed by Hella Jongerius. Jongerius, a prolific Dutch designer, has created some of my favorite textiles, the glorious Polder sofa, way-too-affordable vases for Ikea, and the Long Neck and Groove Bottles I wish I could afford. I needed to do something with the panel, so Ben found an old Danish chair on craigslist, and I took it to Sol at Prestige Furniture in Queen and designed how the panel would be cut. The resulting chair is the perfect addition to our playful apartment. Photos of the chair, and pillows made, here.

collage: parsons project

July 24, 2008

I just found this image of the collage I made for my entrance package to Parsons.

interiors: foreman residence

Ben and I love Al and Karley. Al is a lovable giant. Karley a sassy, though good, Mormon girl. They had a baby recently. Baby X, or Xander, or Cha-Cha (my nickname!). He is a adorable.

I decorated their apartment and I just died when I saw this image. Thier baby, tiny and new-to-the-world sitting in a giant womb. Womb chair, people. Knowing his father, I assure you, it won't take long until Xander fills out that chair.

portraits: toys

July 10, 2008

Our friend Betsy and her boyfriend crashed at our place while we were in Mexico. They left behind toys that were the likeness of Ben and I. It made me think of the one that Molly Peck did of me. Here all three are visible. So cute.

press: zodiacs

June 2, 2008

Cool Hunting featured the zodiac posters. Link here. PDF here.

art: about the zodiacs

May 20, 2008

In 1969, Gerry and Joe Simboli were asked to design twelve zodiac posters for Poster Prints, the largest poster company of that time. Posters were the craze and Peter Max was setting the pace.

In 2004, thirty five years later, these zodiac posters were discovered by Sir Paul Smith, a leading fashion designer in the UK, and were the basis of a line of casual clothing which sold worldwide, and stateside in Neiman Marcus stores. The clothing was featured in their catalog and on their website.

The art is retro and remains exciting and viable. In their studio, Gerry and Joe retained a number of the original posters which they are making available. These vintage posters speak of the bold and vibrant years, the end of the sixties and beginning of the nineteen seventies. The original poster size is 24x36 and will sell for $175. Smaller reprints are available.

press: readymade magazine

April 27, 2008

The current issue of ReadyMade features the headboard I designed with skateboards. It is a full page image and looks fantastic. Pick up a copy or you can see it in ReadyMade's digital version.

art: war posters

March 31, 2008

I love when beautiful things have special meaning. It is with this in mind that I write to you about the art of Joe and Gerry Simboli. The Simbolis are parents of one of Ben and my best friends, Leslie, who happens to share the same birthday as me. When Ben and I were in Philly several years ago we visited the Simbolis and they showed us some of their work in their art studio. They're graphic artists and in the late 60s they designed a series of 12 posters depicting the Zodiac. Lesley had given us one of these posters printed in 1969. I loved it dearly and always wanted more.

The Simboli's Zodiacs also caught the eye of British fashion designer Paul Smith, who several seasons ago, licensed 11 of the 12 original images. PS did not love the Gemini and Joe and Gerry redesigned this sign to the fashion house's liking. The result of the collaboration yielded shirts, pants, cufflinks, etc. featuring the Simboli's signs.

Then by chance Leslie gave us two posters printed in 1970. These posters, though graphic and stylistically akin to the Zodiac, carried a much deeper meaning: anti-war. Everyone who comes into our house remarks about the posters which got me wondering how many existed and what were the story behind them. My sleuthing unveiled the discovery that the Simbolis, now in their 80s, had saved many of these posters and together we've agreed to bring them to a much broader audience.

16 of the Simboli's designs will be available through me/my website. The first four will be the "War" series. The four were designed at the same time in response to the Vietnam war. Their simple, modern messages still ring true to this day. Two of these posters are vintage and were printed in 1970. The other two will be laser printed to order and signed by the artists. Below are the images, pricing, and count of each. In several days I will post/email information on the zodiac posters.

If you'd like to buy one or ask any questions just email me at bradford@bradfordshellhammer.com. I am not making any money from these sales. I am doing this as a way to bring art that has made me and Ben very happy to many more and to allow my friends, colleagues, and clients a chance to own a little piece of history. Words cannot describe how incredible they are. Please share with your friends. Thanks.

Links:

Flickr Gallery
Artist Statement
Joe and Gerry Bio


War (Pull) $150
24 1/4" x 20 3/4" black white and orange
copies 75
Printed/Designed 1970
Signed


Pray for Rain $150
24 1/4" x 20 3/4" magenta black and white
Copies 45
Printed/Designed 1970
Signed


Dove Hanging from Flags $75
23 3/4 x 17 3/4" black and multi-colored
Printed 2008/Designed 1970
Signed


War/Earth on Edge $75
black/gray/white on magenta 23 3/4 x 17 3/4"
Printed 2008/Designed 1970
Signed

joe and gerry simboli bios

After graduating from the University of the Arts, Joe Simboli opened a freelance studio in Philadelphia. After working as an art director for Ladies Home Journal and an advertising agency, Gerry joined him at Simboli Design and they began a career in design that has taken many forms.

They have produced art and illustrations, as well as many product designs and posters for agencies, pharmaceutical and publishing companies and the Franklin Mint. Joe represented the United States in an international poster competition for the United Nations. Gerry became an art consultant for the world famous Longwood Gardens, designing books, posters, a ten-nation Worldfare display, many of their topiary animals and two of their Christmas displays.

Their portfolio includes many products for children, including a dexterity toy manufactured by Creative Playthings and a "fool the eye" card game, published by Cadaco Company. Additionally, they designed lines of collector doll furniture for Reed and Barton and Madame Alexander Doll Company.

In 1969, Poster Prints commissioned Simboli Design to create a line of very graphically strong and colorful zodiac posters, which were were sold worldwide. Recently, Paul Smith Ltd., a leading fashion designer based in the UK, found the posters on a website in California. They were used for a line of casual clothing and were featured on the Neiman Marcus website, as well as in a NM catalog.

a message of peace in print

This is a statement by Joe Simboli about his posters I am selling:

The Vietnam War was raging. For the first time, images of the conflict and daily body counts made their way into American homes by way of TV. It reminded me of my experiences during the fight against the Nazis in WWII and what I encountered in Ordruf, the first death camp to be liberated in Germany. The stacks of dead bodies and barely living remaining prisoners made clearly evident man’s potential for savage inhumanity.

In protest of the Vietnam War, a well-known art director in New York City sent out a call for artists and designers to create anti-war posters. To support his efforts, I responded with a few poster designs. Later, sometime in the 70’s, I chose two of my posters and had them printed. They were sold on college campuses and in bookstores.

Man has engaged in war from his very beginning. Sometimes the reason for it is not black and white, but exists in shades of gray. These posters are not meant to be a political statement. They are a reflection on the cruelty of war and its insanity.


- Joe Simboli, 2008

portrait: molly peck

February 17, 2008

Acrylic on canvas. By Molly Peck.

press: interior design magazine

January 2, 2008

Interior Design magazine featured the DWR/Parsons/Heller collaboration I conceptualized. You can read it here.

 
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